My skin turns rough when trees turn bare in this country.
The words linger at the tip of my tongue when I speak.
I worry they hear fear. Maybe I shouldn’t be here.
In bed I told you that a mole at the heel means a thirst for leaving.
I remember other things my mother told me. She believes in portents and rosaries.
She warned me not to sleep with hair dripping or I’ll go blind and lose sight of everything.
You trace a birthmark on my chest and ask if it meant I felt loss deeply.
On windows at high streets, I see myself reflected in a sea of white.
Years ago, at the airport I didn’t know I should have taken
more clothes with me. I should have said goodbye to the house I grew up in
which I left as soon as I realised the possibility of leaving.
My books are still there, longing to be read.
Now I spend weekends with the smell of bay leaves
in the kitchen and the hum of rice simmering against the cold outside.
Born and raised in Manila, Katrina Macapagal now lives in Edinburgh with her partner and daughter. She has a PhD in film and media studies and is the author of Slum Imaginaries and Spatial Justice in Philippine Cinema (Edinburgh University Press, 2021). She likes writing poetry, short stories, and creative non-fiction.